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Ruud van Gaal

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Ruud van Gaal

Monthly Archives: November 2015

Patrice and RadLab

28 Saturday Nov 2015

Posted by Ruud van Gaal in photography, studio

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color grading, leg, patrice, shirt

Another one from Patrice from a shoot a few days. Actually this is the first shot that I’ve run through RadLab from Totally Rad. It gives you a bunch of mostly color grading examples, but adds some special effects such as blurring.

It’s easy to mix and style in a quick session, rather than going through a lot of curve tweaking in Photoshop itself. This saves quite a bit on postprocessing.

Vampire

Cavalli

28 Saturday Nov 2015

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cavalli, gold, patrice, roberto cavalli

Patrice here is wearing a dress by Roberto Cavalli.

Cavalli

 

Vulnerable

26 Thursday Nov 2015

Posted by Ruud van Gaal in photography, studio

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bw, cry, emotion, felicia

This experiment has been an idea for over a year, and finally I’ve been able to make it come true with dear Felicia. A very emotional picture. I realize it’s a type of photography that you may or not appreciate, but I love the harshness, the roughness and the vulnerability that it displays.

Vampire

Vampire

22 Sunday Nov 2015

Posted by Ruud van Gaal in outside, photography

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castle, dreads, dress, gothic, lenses, vampire

I shot this one today from the very stylishy dressed Psychara (be sure to look her up on Instagram!). We had luck with the weather; a bit of sunshine and hardly any wind.

Vampire

Sisters

19 Thursday Nov 2015

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annemiek, black, bw, else, sisters, white

One more from the sisters Else and Annemiek. Nice contrast with black and white clothing.

Sisters

Shoulders

18 Wednesday Nov 2015

Posted by Ruud van Gaal in photography, studio

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bw, chanelle, shirt, shoot, shoulders, spaghetti, studio

A nice one from Chanelle. I’m almost always a fan of black & white images, this one is no exception.

Chanelle

Colors

18 Wednesday Nov 2015

Posted by Ruud van Gaal in photography, postprocessing

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annemiek, hair, lips, lipstick

This one is another one from Annemiek, postprocessed to get a white vignette at the bottom, and some coloring on the sides.

Colors

Liberté

14 Saturday Nov 2015

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Yesterday was been a strange day; after watching a movie that took place in Paris (La Belle Personne), news started rolling in what was going on in the real, current Paris.

My heart goes out to the people in Paris and France in general for this dreadful day. What drives people to try and impose a freedom-less world is difficult to grasp. Frustration, anger, jealousy perhaps. An overflow of testosterone, a desire for power by destroying one’s self (both literally and figuratively, paradoxically). We can never surrender to such a stance, since that means life is no longer worth living. And with all that brain power that all of us have, surely it’s not difficult to figure out that this is not the road to any kind of viable society. The only way forward is to prevail. I always thought I’d see a war in my lifetime, I just didn’t imagine it to be like this.

Tour Eiffel

Wind

11 Wednesday Nov 2015

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bw, melanie, wind

This one is from March this year, so already some time ago, but it still caught my eye.

Wind

Wind

High speed sync (HSS) with ordinary flashes

09 Monday Nov 2015

Posted by Ruud van Gaal in photography, studio, tips

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flash, tips

I have a home studio which is not small, but also not that large. I own a couple of flash heads, ranging from 150Ws to 400Ws. My most used flashes are Linkstar ones of 250Ws and 400Ws.

LF-400 with Yongnuo YN-622C

Linkstar LF-250 with Yongnuo YN-622C

I shoot mostly portraits and like low diaphragm settings like f/2.8 (or lower with fixed focal length lenses) to get depth of focus effects where the eyes are sharp, but sharpness quickly falls off when you look at hair or the body. That effect has always been one of my big incentives to switch from simple small cameras to larger, fullframe camera bodies. Currently my main body is a Canon EOS 6D, which features a fullframe sensor, and lots of light sensitivity.

The flashes in my studio generate quite a bit of light, and especially when balancing multiple lights it’s easy to get more light than really desired to stay low enough to be able to use something like f/2.8, even if you lower the ISO to 50. Also, as 100 ISO is probably the ‘native’ mode for the sensor, I like to stay up there. But what to do with the abundance of light?

When I started out, I used cable to flash. I quickly turned to wireless triggers, a Cactus v5 set. The maximum (or should I say minimum) exposure time is around 1/180s for Canon upto 1/250s for Nikon, depending on the model a bit.

To keep light under control, I then turned to ND-filters. A stop of 3 or 4 can give you a lot of control in this small environment, but the downside is that your viewer also gets darker, and your automatic focus suffers to the same degree. Fortunately the 6D has excellent focusing skills, but still, it was less than perfect.

Then lately I discovered the Yongnuo YN-622C E-TTL wireless remote triggers. The ‘C’ stands for Canon btw, but there is a version for Nikon as well. These talk TTL to the Canon body, which means you suddenly get HSS – High Speed Sync. In layman’s terms this means that you can finally dive under those 1/180s times.

Wireless triggers capable of talking E-TTL to the body

Wireless triggers capable of talking E-TTL to the body

I really discovered them when buying an outdoor kit; a Jinbei Discovery DC1200 battery flash unit. To get these to do HSS, you need to connect them with a small cable, instead of using the triggers supplied by Jinbei. If you use the built-in remote trigger, you can’t do High Speed Sync. It took a while for me to figure that out.

After that I noticed that the same method works with my fairly standard Linkstar LF-250 and LF-400 flashes. I could get rid of the ND filters (which will only give you less sharpness if they get dirty) and just use 1/4000s if I wanted to (the 6D doesn’t go any quicker than that).

So now the 400Ws power is no longer an issue, and I can shoot upto f/1.4 without problems in my 5x5m studio.

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