Kelly

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Yesterday I had Kelly in front of the camera. Tried some high-key, which mostly actually only became apparent in Photoshop. Desaturated quite a bit, and raised the black end using a Curves adjustment layer to get that low-contrast look.

In high key

In high key

Maaike

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It’s not really Rembrandt lighting but the colors looked so nice, I decided to give it a bit more of a painting look. Hope you like it. 🙂

This one went through some changes from the original, to get a bit of that ‘old painting’ look. It was mostly based on a tutorial on Youtube at www.youtube.com/watch?v=lqiZC9gDNjI

To summarize:

  • First I did some cleanup on the skin (not that Maaike needs much);
  • Fixed up the roll of paper in the background a little, plus cleaned up dirt on the floor (moving around strobes and ladies with high heels roaming around does that);
  • Raised the lower end of luminance a little (added a curve with the leftmost point a bit higher, to raise black to dark gray).
  • Added a Hue/Saturation adjustment layer to dial in a bit of yellow (turn ‘Colorize’ on and mix a bit only using the layer opacity).
  • Added a Color Lookup adjustment layer, selected the 3D Lut named ‘Candlelight.CUBE’. This gives a lot of the painting atmosphere.
  • Added a cracked overlay; for an example texture, see the youtube tutorial above.
  • Added a small Rembrandt fake signature to finish things. 🙂
Painting with Photoshop

Painting with Photoshop

Pondering

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This one was lit using a strip light which was very close to the model. That type of distance always gives a lot of contrast between the close and far sides of the model (compared to putting the light further away). Now my studio isn’t that large so I’m quickly bound to such types of photographs. 😉

Still, combined with the pondering expression of the model it makes this one of my favorites.

Strip light on camera right

Strip light on camera right